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</html>";s:4:"text";s:12689:"Lily Allen has a unique talent for making the best of times out of the worst of times. 				All lyrics are property of their respective owners & are provided for informational & educational purposes only. This anthem for the Stella generation was assembled from snatches of a conversation heard on a night out in Soho. Ralph McTell explains: ‘When I was a busker in Paris in 1965, when we were coming home from our little jaunts in the Latin Quarter, there were a lot of very impoverished people – they call them clochards – sat over the hot-air gratings in the Metro, and I formed this idea of writing a song about those people. It was a phrase we remembered from childhood, something yer dad would say before he slapped you one. This song has been printed from the BusSongs.com website. No. Did this DANGEROUS DRUG send the band on an orgy of wanton destruction and ram-raiding? For the whole of my life I had this image of my parents living next to The Beatles, so Emperor’s Gate, to me, is a romantic thing. Typically, this cut from the Scottish twee-poppers starts out all nostalgic for an era which never existed, eulogising ‘men in their bowlers, kids with their spats… dogs wearing hats’. Now that’s diversity. Chase And Status are better known for their tartrazine dubstep workouts than their pithy lyrics, but this recent outing is worth a listen just for the delightful novelty of hearing Georgian supersoul singer Cee Lo using phrases such as ‘beautiful birds’, ‘blokes… get a Chelsea grin’ and ‘tell the old bill fuck off’. Nice work, London. Despite what the faux-oriental arrangement might have you believe, the Hong Kong Garden which inspired this number was in fact a Chinese takeaway in Chislehurst, frequented by the band and (sadly) groups of racist skinheads who would terrorise the owners. Originally created as a comic answer song to the noirish ‘One Night In New York City’ by The Horrorist, this unfussily pounding brick of techno tells the story of young visitor to London stumbling into a world of warehouse parties, oddly dressed natives and and serious, heads-down raving. Sylvia Harris was there: ‘It was the beginning of the air raids, but we went out, because we wanted to go out. I really admired his portrayal of characters in his songs, he could give you a sense of a person in very few lyrical brushstrokes.’. Our singer Glenn Danzig and guitarist Bobby Steele went to see The Jam at The Rainbow. Another paean to the itinerant musician. You can come from Bromley now and you’re a true Londoner.’ ‘Herculean’ itself combines dub, film music and folk into a downbeat but optimistic anthem for twenty-first-century London. Then he heard about an empty flat in Lewey House off Burdett Road, E3 – and so began what Jarvis Cocker has since described as ‘the worst nine months of my entire life’. But the song was really just a south London retelling of the classic Jamaican film ‘The Harder They Come’. The smelly basement where Difford’s narrator and his girl from Clapham shack up will have been converted into a luxury studio by now, of course. That was what really inspired the song, just the rush of excitement when you first move to London and get a flat of your own.’. They were putting a definite London accent to the soul music we all loved: a touch of reggae, a bit of rock. Heavily inspired by Ralph McTell’s busker classic ‘Streets of London’ (see our Top Ten), and recorded at Abbey Road Studios, Meuross’s sweeping, bittersweet glance at the city takes in London’s wealth and poverty, its triumph and tragedy. ‘It’s awash with booze!’ thought a generation, ‘And one night stands!  However, if he had any sense, he’d have headed to 72 Shaftesbury Avenue to the rather more fitting, four-star-rated-by-Time-Out budget Mongolian hotpot establishment, Little Lamb. He used words beautifully, because he was interested in words. His lyrical snapshots of the capital’s urban jungle are sharply observed and delivered over the now classic mix of sparse beats and that distinctive, looped piano line. It was a much more freaky, slightly alienated sort of atmosphere. Written by BBC broadcaster Hubert Gregg in 1944, as he watched German doodlebugs passing over the city, this song represents a way of life for Larry Barnes, Pearly King of Thornton Heath: ‘If we are doing a pearly show and we don’t do it, people will always request it. Does anyone know about Moorgate?’ asks Idhen with a snigger. Although little talked about these days, the industrial dispute which began at Willesden’s Grunwick Film Processing Laboratories paved the way for the 1979 Conservative election victory, the miners’ strike and all the hilarity which followed. Jerry Only of The Misfits explains how the band ended up getting slammed in an actual London prison: ‘During our early years we tried to do an English tour with The Damned. Seriously – please let us know in the comments. While most kids her age couldn’t wait to get out of the house, Adele resisted her mother’s urgings to flee the nest for further education with this summary of all London’s myriad social and environmental wonders, written – according to Adele – in ten minutes flat. And that whole thing of being a northerner and coming down to London: I always had that feeling, and still do, of escaping into the West End. Fortuitously, among the other residents were Robert Wyatt (singer and drummer for The Soft Machine), promoter/America manager Jeff Deter and Warner A&R Ian ‘Sammy’ Samwell, who would ultimately be instrumental in the (still hugely underrated) soul sensation signing to the label. Spookily accurate, considering Lord Kitchener wrote the tune before he had ever even seen London and played it to a camera crew at Tilbury Docks upon his arrival from Trinidad. The Rakes’ two-minute pop juggernaut simultaneously celebrates reaching a wage where you can (just about) afford to exist in the capital and pokes fun at the mundanity of an office-bound existence. Hampstead Way was the location of a commune where Linda Lewis lived, and which was where she first learned to play the guitar and began writing songs. They expect it, it’s as simple as that. To the left is West and to the right is East. North, South, East and West. And let’s not forget Allen is only cycling around London to start with because she lost her driver’s license.      NORTH in front, and SOUTH behind; When I first moved down to London, we used to get all dressed up in our David Bowie imitation clothes, and clatter down the staircase at Seven Sisters tube station on to the brand new Victoria Line, and go down to Shadowramas on Neal Street. When I was a kid in Newcastle I always dreamed of moving down to London. Saint Etienne’s Bob Stanley explains the genesis of this song about moving to London: ‘When we got together we’d all just literally moved to London, out of the suburbs into somewhere more central. More grandly known as The Church Of The Immaculate Heart Of Mary, Brompton Oratory is one of London’s most spectacular churches and would likely be more famous if it weren’t situated right next the still more imposing V&A. Estelle is fascinated with the suave glamour, boxfresh style and exotic travel potential of her 5'7" suitor. And Peter Gabriel. A bunch of skinheads started a fight with Glenn, who turned to watch Bobby run down the block! But Allen finds the whole horror show to be glorious Bedlam-style entertainment, a sentiment the city’s legions of cynical people watchers can get behind. And then “Rrrrrrrrrrrrrrrr!”: instead of the nightingale, we got the air raid siren! Ray Davies explains how he wrote the greatest London song of all: ‘I used to go past Waterloo every day on my way to Croydon Art School; when I was a kid my father took me to the Festival Of Britain; my first real girlfriend, we walked by the Thames; I was in hospital at the old St Thomas’s and my room had a balcony looking out over the river. ‘The traffic’s caused a roadblock in my heart,’ he laments, later adding rather sweetly, ‘and on the radio I hear the evening news, but all I think of is you.’ The song is also a declaration of his faith in and love of London – ‘this is my home, this is where I want to be,’ he affirms.      Rising in the EAST, We can testify from personal experience that it also makes a great soundtrack for sitting at the front of a DLR train pretending to drive. The late Culture’s handy guide to translating between cockney and patois is now something of a museum piece, partly because computers can do all that sort of thing much more easily than reggae songs, but also because London has seen the two dialects merge more and more over the intervening decades. Manilow’s characteristically overblown ode to the world’s all-time greatest city bar none shoehorns in every possible cliche about the capital – from Big Ben to cups of tea to ‘dodging the rain’ into its four-minute running time – and yet still sound like… well, an Ocado order of clichés. Here Morrissey, daredevil of the euphoric-melancholic tightrope, strikes just the right balance to nail the sensation. The Butterfield Blues Band sounded muscular and exciting on classic blues workouts like "Walkin' Blues," "Two Trains Running," and "I Got a Mind to Give Up Living," but the highlights came when the band pushed into new territory, such as the taut New Orleans proto-funk of "Get Out of My Life, Woman," the buzzy and mildly trippy "Mary, Mary," and especially two lengthy instrumental workouts, the free-flowing jazz of Nat Adderley's "Work Song" and the title track, a fiery mix of blues, psychedelia, Indian musical patterns, and several other stops in between, with Butterfield, Bloomfield, and Bishop blowing for all their worth. Let’s move there!’. And a lot of drugs and Stella. In light of the Macpherson Report into the murder of Stephen Lawrence, LKJ’s brutally simple verses describing the party and ensuing horror seem more cutting today than when the track was recorded. Also everybody was pretty stoned, so that made it even more confusing. In 1989, a young film student at St Martins found himself kicked out of his flat in Camberwell and temporarily homeless. The most memorable performance of this romantic London song took place in 1940, during the early days of the Blitz. Like London itself, Saxifraga x urbium aka ‘London Pride’ is a hardy perennial, which became a symbol of London’s fortitude thanks to the ease which it colonised bomb craters during the Blitz. There are dozens of songs about the tube, but most pale in comparison to Lord Kitchener’s 1950s calypso classic. I’ve lived in London since 1972, and the great thing about London is that people come from all over the world live here – even from Newcastle! (Spot which one of these quotes is from Pro Green rather than Felicity J Lord).      Takes its light from land and sea, It later inspired a compilation LP called ‘Songs for Mario’s Café’, featuring a collection of tracks by different artists all deemed suitable for playing in a café.      Takes it, too, from you and me, An old lady is mugged by a bad samaritan. It was just a yelp of laughter from the audience: they quite forgot the air raid!’. This is the sound of the city, distilled into a hundred songs. He always had dictionaries around him. I was saying, “I’m going to describe a typical night; does anybody think that this is no way to live, and could somebody throw me a lifeline?” There was one particular show I remember where a forest of lager cans was raised in the chorus and my heart sank – which shows how far my head was up my whatsit at the time, because I wasn’t in touch with the reality of the song. While native Londoners and longtime residents affect a world-weary air that suggests they’ve already done everything in town twice, life for newbies can vacillate between uncontrollable thrills and unignorable doubts. The skinheads probably just took offence at him stinking up the carriage. You can use the comments box below to tell us all the classics that we missed. Once upon a time, though, he was the tortured prince of grime MCs. Ev'ry day the shining sun, In this rather less than affectionate portrait of the leafy Heath ’hood, singer Ginger scathingly reveals that ‘the euthanasia dream brigade are melting in the Hampstead shade’, and describes how ‘all my neighbours disappear the moment [I] get too near; I stick out like elephant ears on misery street.’ One imagines a local petition was started to move him on. ";s:7:"keyword";s:47:"songs with north, south, east west in the title";s:5:"links";s:6558:"<a href='https://crosscurrentcommunications.net/docs/b14002-best-song-titles-about-life'>Best Song Titles About Life</a>,
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