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</html>";s:4:"text";s:8684:"Stewart, Bill - born 18 October 1966, Des Moines, Iowa, USA. Bill is a terrific drummer. Has anyone tried the Custom Dry Complex 2? Bill Stewart’s loose-limbed, post-bop fusillades have been turning instrumentalists’ heads for close to 20 years. I for one, am very grateful for your posting of Bill Stewart's set up. I saw Bill at Birdland in NYC and saw that he had the BRONZE tube lug Ludwig snare. See if you can find the key to his talent, and use it in developing your own. Bill Stewart Trio, Goldings/Bernstein/Stewart, John Scofield. Bill Stewart. I'd give it a try, preferably the 24". The Iowa-born drummer first emerged on the New York jazz scene in the late ’80s, and since then has made his presence known worldwide with such artists as John Scofield, Maceo Parker, Pat Metheny, Larry Goldings, and many others. Bill Stewart. Hell, if you play really, really, well, you might end up a pro who has all that good gear given to him. The DCR2 sounds a lot cleaner with less of that trashy quality, but the stick sound is great and still blends in really well with the overtones - just like the DCR1! '', two 22´´ Zildjian prototypes and a 14´´ pair of hi-hats (New Beat on bottom and old K on top), 6½×14 Ludwig hammered brass snare (with tube lugs)*, 14´´ hi-hats (Oriental Trash Hat Top on bottom, old K on top). Bill studied music at William Paterson College, graduating in 1988. Drumspot III. I've been watching Bill Stewart's MD 08 appearance on Youtube. Bill Stewart. I asked him if it was the house snare or his personal. Around the same time Bill Stewart began working as a sideman for various projects, he kick started his own. Originally from Des Moines, drummer and composer Bill Stewart was born into a musical family—his father was a jazz trombonist and music teacher, and his mother was a choral director and music teacher. His father was a trombonist, and his first and middle names are a tribute to jazz trombonist Bill Harris. Once Bill was established and well-known, THEN he got all the great snares and drums. Study Bill's music. What a beautiful sound! I hear his influences well enough and happen to be into those on my own anyway.....especially Jack Dejohnette. I posted a previous thread asking about Bill's snare, but I just found some additional information about his entire kit. Originally from Des Moines, Iowa, drummer and composer Bill Stewart has performed with many well known musicians, including John Scofield, Pat Metheny, Maceo Parker, Larry Goldings, Joe Lovano, Charlie Haden, Lee Konitz, Joe Henderson, Michael Brecker, Kevin Hays, Bill Carrothers, Jim Hall, Marc Copland, Peter Bernstein, James Moody, Joshua Redman, Steve Wilson, Seamus Blake, Dr. Lonnie …  In fact, Bill Stewart learned jazz drumming using matched grip, a grip that’s mostly associated with rock drumming and the one he prefers using till this day. You must log in or register to reply here. I used to have one but never could relate to it. The Iowa-born drummer first emerged on the New York jazz scene in the late ’80s, and since then has made his presence known worldwide with such artists as John Scofield, Maceo Parker, Pat Metheny, Larry Goldings, and many others. I haven't used it on gigs yet, but I'm waiting for the right opportunity to do so. http://www.drummerworld.com/Videos/billstewartmd01.html, Gretsch four-piece: two old round-badge toms (8×12, 14×14), an odd-shaped Gretsch bass drum (10x22); Bill's comments: ''It's a custom-made 10×22...I'm able to play it without any blankets or muffling in it, except for a couple of felt strips. anyone know what his main ride is? Everything you wanted to know about the playing and music of Bill Stewart, one of the most interesting and exciting jazz musicians around. Bill Stewart began playing drums at the age of 7. I am a huge Bill Stewart fan and relate to his style of playing more than I do to most jazz drummers. JavaScript is disabled. He is my favorite Jazz drummer. After college, Bill Stewart moved to New York where he quickly built his reputation, first gaining wider recognition in John Scofield's quartet and in a trio with Larry Goldings and Peter Bernstein, which has become the longest-running group Stewart has played with, having begun in … For Bill Stewart fans, I just found this close-up picture of Bill behind the kit and you can clearly see, I think, the Ludwig hammered Black Beauty with tube lugs he is using: FWIW; Bill was playing here in Iceland a couple months back and I received a phone call from one of the organizers asking me if I had a 6.5x14" hammered bronze for him. And so in 2000, Bill Stewart recorded drums for Pat Matheney’s Trio 99->00 and Trio->Live. I thought he was using a hammered Ludwig 14x6.5 Bronze snare with tube lugs (based on photos taken from drummerworld.com/. Mostly self-taught, Bill began playing at the age of seven (he was born on October 18, 1966). They got nothing to do with the original DCR, but the DCR2 is a great addition to the DCR1 IMO. I'm sure he owned some raggedy traps when he was starting out. Whether performing with John Scofield, Pat Metheny, or with Larry Goldings and Peter Bernstein, his creative drumming propels and energizes the music to higher and higher levels. He does a solo with 3 splashes. I'm on the market for a new snare, either a Manu Katche Signature or a Ludwig Hammered Bronze (now I know that it's that model). I for one am one the brink of buying the 24". In 1989 Bill Stewart released Think Before You Think, his first effort as a band leader. Bill Stewart's father was a trombonist, and his first and middle names are a tribute to jazz trombonist Bill Harris. Bill studied music at William Paterson College, graduating in 1988. Legendary jazz drummer, Bill Stewart and head of Zildjian R&D, Paul Francis visit Memphis Drum Shop, myCymbal.com, and Memphis Gong Chamber. Be sure to check out the various interviews that Bill has given over the years. Self-taught on drums, Stewart is also a capable pianist, the instrument on which he composes. Anyone know if this is what Bill was using in the Pat Metheny Trio days? Find out who he studied with. Didn't like the 22" though. Bill Stewart’s loose-limbed, post-bop fusillades have been turning instrumentalists’ heads for close to 20 years. It's more compact and it responds very quickly. He said that it was a great snare. I know it's a little late but I just found your thread - just the info I was looking for! 14×18 bass drum *Note: The photos of Bill Stewart usually show a golden hammered snare with tube lugs, which would suggest the Ludwig Bronze hammered snare. It's less boomy than a 22´´ of normal depth. I was interested in the Dry Complex Ride 2 as well, but I've heard from some friends that they are not good sounding at all. He stated it was his, I said that I had the same bronze snare, he asked if it had the tube lugs also (it does). Therefore, Bill Stewart didn’t get the most traditional of drumming educations in jazz. He taught himself how to play drums by playing along to records at his house. I need to try the Bill Stewart sticks. The album featured Dave Holland on bass, Marc Copland on piano, and Joe Lovano on saxophone. Sort of a let down--I thought they might sound better than the first series of DCRs. However, it might behoove you guys to quit focusing on his gear and put all that energy into trying to find the key to his greatness, groove, technique. Two posts confirm that Bill is playing a BRASS snare... yet the snare in the picture and also the snare I've seen him play live looks like a BRONZE snare because of its gold color... also a poster above mentioned that Bill needed a BRONZE snare for his gig in Iceland. Originally from Des Moines, drummer and composer Bill Stewart was born into a musical family—his father was a jazz trombonist and music teacher, and his mother was a choral director and music teacher. The MD article states that the snare is brass, but I believe Ludwig's brass hammered snares only come in either the Black Beauty finish or Chrome over Brass finish. There's a good shot of the bottom at 2:48. For a better experience, please enable JavaScript in your browser before proceeding. Well, I recently checked out the Dry Complex Ride 2 in 24" - it blew me away! Percussionist Bill Stewart made his name as the rhythmic force behind guitarist John Scofield 's band, working with him for five years between 1990 and 1995. It's also a lot heavier than the DCR1 Thin. Bill Stewart grew up in Des Moines, Iowa listening to his parents' jazz and rhythm and blues records without much exposure to live jazz in the then relatively isolated state of Iowa. 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