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</html>";s:4:"text";s:8332:"Japanese folklorists and historians use yōkai as "supernatural or unaccountable phenomena to their informants". [9] Publications included: In this way, yokai that were mentioned only in writing were given a visual appearance in the middle ages. Do you like this site? With the Meiji Restoration, Western ideas and translated western publications began to make an impact, and western tales were particularly sought after. They are also frequently depicted in ukiyo-e, and there are artists that have drawn famous yokai like Utagawa Kuniyoshi, Yoshitoshi, Kawanabe Kyōsai, and Hokusai, and there are also Hyakki Yagyō books made by artists of the Kanō school. In this period, toys and games like karuta and sugoroku, frequently used yōkai as characters. Alternate names: mitama For example, before the Edo period, there were plenty of interpretations about what the yōkai were that were classified as kappa, but because of books and publishing, the notion of kappa became anchored to what is now the modern notion of kappa. By using this site, you agree to the Terms of Use and Privacy Policy. Funding for USA.gov and content contributors is made possible from the U.S. Congress, E-Government Act of 2002. Furthermore, in the suburbs, and other regions, even when living in a primary-sector environment, there are tools that are no longer seen, such as the inkstone, the kama (a large cooking pot), or the tsurube (a bucket used for getting water from a well), and there exist yokai that are reminiscent of old lifestyles such as the azukiarai and the dorotabo. Since yōkai are introduced in various kinds of media, they have become well known among the old, the young, men and women. This was done with the help of priests and onmyōji, through the religion known as goryō shinkō—the religion of ghosts. Lafcadio Hearn's collection of Japanese ghost stories entitled Kwaidan: Stories and Studies of Strange Things includes stories of yūrei and yōkai such as Yuki-onna, and is one of the first Western publications of its kind. Yokai plays a role in attracting tourism revitalizing local regions, like the places depicted in the Tono Monogatari like Tono, Iwate, Iwate Prefecture and the Tottori Prefecture, which is Shigeru Mizuki's place of birth. Thus, with the development of a publishing culture, yokai depictions that were treasured in temples and shrines were able to become something more familiar to people, and it is thought that this is the reason that even though yokai were originally things to be feared, they have then became characters that people feel close to.[24]. Women suffering from intense jealousy, for example, were thought to transform into the female oni represented by hannya masks. In Japanese folkloristics, yokai are divided into categories depending on where they reportedly appear, and they are indexed as follows in the book Sogo Nihon Minzoku Goi (綜合日本民俗語彙, "A Complete Dictionary of Japanese Folklore"):[11], The ancient times were a period abundant in literature and folktales mentioning and explaining yokai. The most famous example of a Goryō that was deified was Tenjin (天神), the kami of natural disasters. This virtually unlimited classification includes: There are a large number of yōkai who were originally ordinary human beings, transformed into something horrific and grotesque usually during an extremely emotional state. 										
 Furthermore, in the suburbs, and other regions, even when living in a primary-sector environment, there are tools that are no longer seen, such as the inkstone, the kama (a large cooking pot), or the tsurube (a bucket used for getting water from a well), and there exist yōkai that are reminiscent of old lifestyles such as the azukiarai and the dorotabo. Today, several such yōkai (such as the amikiri) are mistaken to originate in more traditional folklore.[2]. [7] Chinkon rituals for ara-mitama that failed to achieve deification as benevolent spirits, whether through a lack of sufficient veneration or through losing worshippers and thus their divinity, became yōkai. [15], Yamata no Orochi was originally a local god but turned into a yōkai that was slain by Susanoo. Most of these are henge (変化), which are shapeshifters (o-bake, bake-mono[3]) that often appear in human form, mostly women. They can also be called ayakashi (あやかし), mononoke (物の怪) or mamono (魔物). [5] It was believed that these spirits possessed various kinds of emotions, and if the spirit was peaceful, it was a nigi-mitama that brought about good fortune such as a good harvest, and if the spirit was violent, it was an ara-mitama that brought about ill fortune such as natural disasters and illness, and the ritual for converting ara-mitama into nigi-mitama was called the chinkon ("the calming of the spirits"). [8], During the 1970s, many books were published that introduced yokai through encyclopaedias, illustrated reference books, and dictionaries as a part of children's horror books, but along with the yokai that come from classics like folklore, kaidan, and essays, it has been pointed out by modern research that there are some mixed in that do not come from classics, but were newly created. Toyama, Ryoko: "FAQ – What does 'Mononoke Hime' mean?." Also, when the Hyakumonogatari Kaidankai became popular in the Edo period, it is thought that one reason for the appearance of new yōkai was a demand for entertaining ghost stories about yōkai no one has ever heard of before, resulting in some ō that were simply made up for the purpose of telling an entertaining story, and the kasa-obake and the tōfu-kozō are known examples of these.[23]. Also, when the Hyakumonogatari Kaidankai became popular in the Edo period, it is thought that one reason for the appearance of new yokai was that since there was demand for the story-tellers to tell about yokai that were not yet known to society, there were cases where individuals simply made up new yokai, and it is known that the kasa-obake and the tōfu-kozō are examples of these.[6]. For example, the classical yōkai represented by tsukumogami can only be felt as something realistic by living close to nature, such as with tanuki (Japanese raccoon dogs), foxes and weasels. [6] One's ancestors, other well-respected people, and sometimes even nature and animals depending on the area were considered nigi-mitama that became protective gods that received worship. Yōkai range diversely from the malevolent to the mischievous, or occasionally bring good fortune to those who encounter them. As a result, even for those born in the first decade of the Showa period (1925–1935), except for some who were evacuated to the countryside, they would feel that those things that become yōkai are "not familiar" are "not very understandable." With the Meiji Restoration, Western ideas and translated western publications began to make an impact, and western tales were particularly sought after. Also, including other kinds of publications, other than yōkai born from folk legend, there were also many invented yōkai that were created through puns or word plays, and the Gazu Hyakki Hagyo by Sekien Toriyama is one example of that. Yōkai often possess animal features (such as the kappa, depicted as appearing similar to a turtle, and the tengu, commonly depicted with wings), but may also appear humanoid in appearance, such as the kuchisake-onna. Over centuries, their behavior changed from spirits of the damned to active defenders of Dharma. In this period, toys and games like karuta and sugoroku, frequently used yōkai as characters. Retrieved 2012-08-16. In this way, yōkai are spoken about in legends in various forms, but traditional oral storytelling by the elders and the older people is rare, and regionally unique situations and background in oral storytelling are not easily conveyed. [15], Yamata no Orochi was originally a local god but turned into a youkai that was slain by Susanoo. Yama no ke (mountains), michi no ke (paths), ki no ke (trees), mizu no ke (water), umi no ke (the sea), yuki no ke (snow), oto no ke (sound), doubutsu no ke (animals, either real or imagined), First century: there is a book from what is now China titled 循史伝 with the statement "the spectre (yokai) was in the imperial court for a long time. ";s:7:"keyword";s:13:"goryō yōkai";s:5:"links";s:3492:"<a href='https://crosscurrentcommunications.net/docs/b14002-captain-america%3A-the-first-avenger-steve-and-peggy'>Captain America: The First Avenger Steve And Peggy</a>,
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