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</html>";s:4:"text";s:9904:"An unusual choice perhaps but the Deco is something else when it comes to pedals. And while EQD is probably best known for its more off-kilter modulation and filter pedals it also does some exceptional dirt pedals of its own, including the dual channel - Gray Channel Overdrive - which has lots of clipping options, but no stacking, unlike the Strymon - which allows every kind of paralled and serial stacking of its channels. To my mind the current ultimate 'Boost' pedal is the Jackson Audio Prism - that's probably the one I would aim for, and it is within the compact category too, pricier mind you than the two options here. Personally I would not venture to this enclosure size for a tuner, as my TCE PolyTune Mini Noir gives me everything I need. The 'Mini' moniker is something of a misnomer as they are significantly longer and wider than my proper Dunlop Mini's and significantly more than the equivalent Mooers. I have 3 of those featured in the above picture in my active chain, with 3 more in addition - The Strymon Riverside, Empress Heavy and Tech 21 RotoChoir - all essential pedals as far as I am concerned. The Deco’s line-level studio mode works very well, provided you also remember to reset the concealed high and low trim controls to offer full bandwidth. Plugging in the Deco, I’m immediately struck by the quality of the sound. The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Easily one of my favourite and most versatile distortion pedals which could have been engineered even better if it had 3 footswitches acting in 'preset' mode. Got the pedal. It's also worth mentioning that the Empress ParaEQ contains a boost too - so that could also be a viable option - although it really depends on where you want to apply the Boost and EQ in your chain. And while I favour Strymon - who themselves cram a whole host of technology into their medium enclosures - with dual-function dials, dual footswitches and stereo in and out - several others could really do with compacting their pedal enclosures - as in fact Zvex are doing with their Fuzz Factory next - bringing it into a standard vertical compact enclosure. There is no doubting that Empress excels at this, but for me - I tend to prefer the ease-of-use of the more standard slider-style graphic equalizers and the Boss GE-7 (Alchemy modded) works really well for me. Left and right stereo outputs are provided at the rear, alongside an expression pedal input and the main input jack. Facebook Twitter Reddit LinkedIn Similar Threads. The range of effects on offer is unique and uniformly excellent, but those only interested in one of the four may be better served by a dedicated pedal offering a wider (and less authentically tape-like) range of adjustment. Congratulations #StrymonLights Winners! Yes I have an ottobit jr and you are totally right, when you hit it right it's an amazing pedal! Pressing and holding the right-hand footswitch engages the auto-flange feature, creating a smooth through-zero flange effect with the lag time varying automatically, as if there were an invisible tape op with his hands on the reels. They’ve achieved this through a combination of ingenious design, great sounds and a commitment to thoroughly engineered hardware, featuring SHARC DSP chips, 32-bit floating-point processing and 24-bit/96kHz A-D/D-A converters, all sandwiched between high-quality analogue input and output stages. The bounce mode, meanwhile, is very effective at creating a wide stereo signal from mono sources. Full, clear and incredibly quiet, in terms of fidelity it’s among the best stompboxes I’ve encountered, analogue or digital. Increase the lag time and, just before you get to a discernible slap echo, the Deco creates a thickening chorus effect that’s particularly effective in stereo. It's certainly been a successful formula for Strymon and Empress - even though it runs the risk of being undercut in this instance by equally smart or smarter more compact pedals. The level of detail you can dial in with just a few knobs is amazing. In the meantime Boss launched its amazing RV-500 Dual Reverb plus Dual Delay - somewhat stealing Ventris's thunder - so it will be interesting to see exactly what the Ventris ends up like - the final production samples certainly looked and sounded great in the demos. The Deco offers stereo outputs and caters for an expression pedal.As if all this wasn’t enough, pressing down both of the footswitches together opens up a range of secondary parameters that can be set using the Deco’s knobs. Of course the Deco does a lot more than double tracking, but if you run a stereo rig, you should definitely take a Mimiq for a test-drive - it will radically improve the dynamics of your sound. I have and love the Ditto X2 - which is really not that different to the EHX 720 - there are pros and cons for each and I went for the slightly less cluttered facia of the Ditto. Wouldn’t mind checking it out since I love the M7 but I think I am probably leaning towards and Enzo. Strymon is known for making state of the art pedals with impressive know-how and dedication. I have a Flint and a Timeline. I would love another decent mini optical pedal alternative at that size to compete with the Dunlop and AMT offerings. For the alternatives here you can go with the slightly more settings of the Strymon BlueSky - Room | Plate | Spring, or the Hall | Plate | Spring of the Strymon Flint - which has less modulation settings but includes 3 different types of Tremolo - both are excellent options - although both somewhat outpaces by the 12 onboard algorithms of the forthcoming Ventris - which can be played 2 at a time in series or parallel. The medium enclosure size is a touch of an oddity sometimes - in some cases too large for the feature set offered, while at other times not quite large enough to carry the full feature set required vs some of the bigger pedals. The Deco Tape Saturation & Doubletrack is a delay pedal that emulates reel-to-reel tape saturation and effects all built into one unit. For example, by setting the lag time to zero or below and turning the blend knob hard right (so you’re listening to the second tape deck only), you can use the wobble control on its own to add pitch variation to an otherwise un-effected signal. If your pedal enclosure is going to take the place of two compact pedals, it better contain that degree of functionality. The repeat (singular, unless you’re in bounce mode, in which case each note repeats twice) is clean and clear, so those looking for multi-tap tape echo or the steep treble roll-off and trailing repeats of bucket-brigade delay need to look elsewhere. As introduced in the Compact pedals Key Effects article, this is currently the industry standard acoustic simulator and there is nothing I can find in a larger size category - your main options here are between the compact Boss, or mini Mooer clone of that. Morley pedals build on noiseless optical technology which is smoother and obviously resistant to wear. Boss Shrinks Down its GT-1000 Guitar Effects Processor to a more handy-sized but still Full-Featured GT-1000 CORE Stomp Box, Boss Rounds Out its RC Looper Range with New and Improved RC-5 Compact and RC-500 Dual Track Loop Stations, End of September Pedal-Chain Update - Episode VIII - Starry Eyed Surprise, All You Need to Know about the Chase Bliss Audio Automatone Preamp MKII courtesy of 5 key YouTube Demos, Cooper FX Arcades Modular Multi-FX Workstation : Card Spotlight Series #2 : DELAY, Toneczar Ed Rembold's Two Essential Secret Weapon Extended-Range Fuzzes - the OTP and Vault, Ben Fulton's Red Witch Pedals Releases Ultimate Fuzz God IV Edition which combines Twin BC109 Silicon Fuzz with Octavia, Oscillation and Extended Configurability, Electro-Harmonix Finally Releases Expanded and Presets-enabled Pitch Fork+ Dual-Voiced Polyphonic Pitch-Shifter and Harmonizer, Big Ear Pedals Finally Unleashes its Albie Multi-Combo-FX Ambient Modulator Pedal after a year of fine-tuning, The New Strymon NightSky Time-Warped Reverberator is a Revolutionary Twinkle Starred Sci-Fi Atmospheric Delight - with optional Reverb Tail Pattern Sequencer, Boss's 3rd Generation OC-5 Octave introduces state-of-the art tracking and new Upper Octave, while expanding on the very best of the OC-2 and OC-3, All you ever wanted to know about the UK's Preeminent Independent Pedal Boutique - Joe's Pedals, Maverick Inflection #1 : Zander Circuitry Compact Enclosure Siclone Silicon Chaos Initiator Fuzz, Sitek's New Dual-Natured Joss Allen Signature Freya Low to Mid-Gain Overdrive Booster combines its Goddess namesake's zeal for Love and War, Cooper FX Arcades Modular Multi-FX Workstation : Card Spotlight Series #1 : SYNTH, Roman Belonozhko's Multifaceted Shnobel Tone Daily Driver delivers beautifully textured breakup with alluring high frequency sparkle, Walrus Audio Releases Julianna Deluxe Chorus with added Stereo Soundstage, Second Tap-Tempo Footswitch and Smart Alternative Functions, 24 of the Best Compact Enclosure Bluesbreaker-style Overdrive Pedals - 2020 Ultimate Selection, Jackson Audio Releases Majestically Saturating Mateus Asato Signature Dual Channel Plexi + JCM800 Programmable Overdrive and Distortion, Mike Vickery's largely Tuxedo-style Vick Audio Pedals underline a certain air of effortless authentic elegance, End of August Pedal-Chain Update - Episode VII - Altitude Ascension, 15 of the Best Everyday All-Rounder Mostly Silicon Transistor Compact Enclosure Fuzz Pedals, 3 Recent Compact, Medium and Large Foxx Tone Machine Fuzz Replicas, Joel Korte Heralds End of an Era with Final 100 Unit Run of the Ayahuasca Trem-Fuzz, Mike Vickery Revives Much Loved Vick Audio Lucky No. ";s:7:"keyword";s:24:"strymon deco alternative";s:5:"links";s:8278:"<a href='https://crosscurrentcommunications.net/docs/b14002-the-pigeon-has-come-home-to-roost'>The Pigeon Has Come Home To Roost</a>,
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